Native Land
Native Land combined the foremost talents of American documentary film editing and photography with those of American music and theater. Raising its budget independently, its filmmakers took about five years to produce it. The epitome of the Frontier Films group’s style, Native Land successfully combined reenacted scenes by professional actors, with actuality footage of both the American landscape and of workers’ struggles. The film focuses on the anti-democratic forces existing within the U.S. democracy.
Based on the Senate’s LaFollette Committee findings concerning union busting and the tactics of massive corporate labor spying in the 1920’s and 30’s, it is a significant pro-labor statement that begins by saying “the American people have had to fight for their freedom in every generation.”
With forceful and moving commentary sung and spoken by the great Paul Robeson, it reveals the web of conspiracy that comprised the anti-labor movement. It contrasts the acts of violence that suppressed workers’ constitutional rights with the public’s ignorance of those events. Finally, it depicts organized labor’s victory over its enemies in the 1930’s. It remains one of the finest examples of the radical social documentary, and is a watershed in its development.
Leo Hurwitz & Paul Strand
Year
1942
Runtime
88 minutes
Format
16mm
Collaborators
FRONTIER FILMS presents NATIVE LAND
with
Paul Robeson as Narrator
Cast
Fred Johnson
Mary George
John Rennik
Amelia Romano
Housely Stevens
Louis Grant
James Hanney
Howard DaSilva
Art Smith
Bert Conway
Richard Bishop
Charles Jordan
Vaughn King
Robert Strauss
Dolores Cornell
John Marlieb
Tom Connors
Harry Wilson
Rev. Charles Webber
Virginia Stevens
Clancy Cooper
Tom Pedi
Associate Directors
Alfred Saxe
William Watts
Photography by
Paul Strand
Editing by
Leo Hurwitz
Commentary by
David Wolff
Music by
Marc Blitzstein
Script by
David Wolff
Leo Hurwitz
Paul Strand
Orchestra Conducted by
Lehman Engel
Assistant in Orchestrations
Henry Brant
Sound Editing by
Robert Stebbins
Ralph Avseev
Assistant Film Editors
Lionel Berman
Robert Stebbins
Production Manager
George Jacobson
Production Assistants
Julia Milch
Ruth Miller
Stills
Times Wide World
International News
Animation Executed by
Ted Eshbaugh Studios
Reeves Sound System
Copyright 1942 by Frontier Films Inc.
Directed by
Leo Hurwitz
Paul Strand
A FRONTIER FILMS PRODUCTION
Extras
Photos
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Paul Strand, DP and Leo's co-director, behind his Akely camera on the set of the Labor Spy scene
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Set of farmer scene. Strand is behind camera, Hurwitz is setting the plow, Fred Johnson is farmer
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Filming girl cleaning window scene, Paul Strand is third from left, Hurwitz is far right, photo Marion Michelle
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Paul Strand is left, Hurwitz directs. Set of Native Land
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Wife (Mary George) of the farmer who spoke up at the Grange meeting calls for him, before finding his body.
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Window washing girl (Amelia Romano) at work, photo Marion Michelle
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the window scubber (Amelia Romano), on her way to find the dead union organizer, photo Marion Michelle
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the window scubber (Amelia Romano), on her way to find the dead union organizer, photo Marion Michelle
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the window washing girl (Amelia Romano) finding the dead union organizer, photo Marion Michelle
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The window cleaning girl (Amelia Romano), finding the dead union organizer, photo Marion Michelle
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A union organizer is murdered
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Vigilantes breaking up a meeting of sharecroppers
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The black sharecropper (Louis Grant) is shot. Sharecropper scene
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Jim (Howard DaSilva) decoy spy is uncovered in union meeting
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Jim (Howard DaSilva), a plant, at union meeting after having been "exposed" as a labor spy
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Angry workers after Jim (Howard DaSilva) has just been "exposed" as a spy.
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Workers at union meeting when spy is "discovered"
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Harry Carlisle (Art Smith) with phony injuries
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Jim walks in on meeting of Harry, the labor spy, and company spymaster (from left) Richard Bishop, Art Smith, Howard DaSilva
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Production still. A spy-master (possibly Bert Conway) who helps trap Harry Carlisle, the labor spy in Native Land
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Harry Carlisle (Art Smith) gets paid by agent (Richard Bishop) for his spying.
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Klansman prepares to tar and feather anti-racism activist
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Anti-Klan activist is taken. by Klu Kluxers
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Whitey's wife (Virginia Stevens), and their friends. "We don't forget that, never", photo Marion Michelle
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Whitey's widow (Virginia Stevens) and his child at his grave site, photo Marion Michelle
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Members of the funeral group, photo Marion Michelle
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Member of the funeral group , photo Marion Michelle
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Virginia Stevens in the funeral group, photo Marion Michelle
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One of the funeral group, photo Marion Michelle
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Clancy Cooper, eulogist, funeral scene, photo Marion Michelle
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"We don't forget that... never!" Clancy Cooper, eulogist at left,, photo Marion Michelle
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The funeral, photo Marion Michelle
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"We don't forget that... never!" The funeral group, photo Marion Michelle
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Whitie's wife (Virginia Stevens) loses it at the funeral, photo Marion Michelle
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The funeral group including Virginia Stevens. Whitey has just been buried, photo Marion Michelle
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Hurwitz at the opening of Native Land
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Blitzstein, an important American composer in the 1930's-40's, wrote the music for Native Land.
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Robeson, the great Black American singer and actor, narrated and sung on Native Land